Of 18 surveyed statues of famous people: 8 are "correct", 8 are "wrong", 2 are "not enough info about the person's death". Augustus Saint-Gaudens, one of the most famous sculptors of his day, had 1 equestrian statue match the "code" and another one that did not.
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A significant number of horse statues in Washington, D.C. and in London, England, do not follow these alleged protocols regarding leg location on a horse statue. The U.S. and the U.K. are the two countries in which the contentions about horse leg statue positions are most prevalent.
In Tacca's sculpture, atop a fountain composition that forms the centerpiece of the façade of the Royal Palace, the horse rears, and the entire weight of the sculpture balances on the two rear legs, and discreetly, its tail, a novel feat for a statue of this size.
There are statues all over the place, all over the world, but a set of myths have developed regarding some in Europe, in particular, statues of people on horseback and statues of medieval knights and monarchs.
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The idea is that equestrian statues follow a code which signifies how the rider fared in battle by how many of their mount’s feet are raised from the ground. One Hoof – If one hoof is raised they were wounded in battle, but may not have died as a result of those wounds. Two Hooves – If two hooves are raised the rider died in battle.
From details like pricked ears to forelocks swept aside by the wind, these horse sculptures are the next best thing to actually inviting a live horse into the living room. Alternatively, if you do not have floor space to spare, choose a gorgeous horse wall sculpture with a three-dimensional design that makes it seem like the animals are suspended in space.
The well-known statue of Andrew Jackson in New Orleans (duplicated in Nashville and Washington, D.C.) in which the horse has two legs raised, yet Jackson died of old age in 1845, and the statue of Confederate General P.G.T. Beauregard (who commanded the forces which fired on Ft. Sumter to start the Civil War), also in New Orleans, in which the horse has one leg raised, yet General Beauregard also died of old age in 1893.
Material: The material of the statue is then decided by the client. The sculptor may also use a small clay model to better portray his conception of the design. The clay model can be modified to fine tune the client’s wishes.
Mini-Sculpture: Finally, the bronze sculpture artist may finalize the miniature model of the final design in order to give the client a preview into how the final product will look. This model is made using the material decided, and it can be used by the client for marketing purposes so that he can raise funds for the sculpture.
Creating the Backbone: The backbone of the bronze statue, also called the armature consists of a steel frame with foam added to it in order to resemble the rough outline of the final product. This is then sealed with a latex coat to secure it.
The Sculpting: The main work starts only now. Many pounds of hot clay are used and applied by hand to “block in” the design for the first time. The bronze sculpture artist then invests a lot of time adding more clay, removing some clay and molding the clay until the final product finally resembles the required design. Tiny details are added on to give more preciseness to the bronze statue and make it more real.
Remove dust with a damp cloth.
Do not use metal objects or wire brushes to clean the sculpture.
Do not apply abrasives or cleansers that will possibly scratch the finish.
ZUD – Non- Abrasive Cleaner. Use to remove stubborn stains. Zud cleans all metal surfaces including bronze. Zud can be used in powder or liquid form.
Lemon Oil – Apply a small amount of oil with a paintbrush or soft cloth. Cover the entire figure with oil. Wipe the surface gently with a soft cloth to take off the excess oil.
Paste Wax- A very thin, even coat of wax should be applied with a soft cloth. Allow the wax to sit and dry before polishing. Wax should be applied after bronze has been cleaned and dried. Do not apply if using lemon oil.
Do Nothing: Many bronze owners prefer to sit back and enjoy the natural reaction and aging process of their sculpture.
What kind of sculpture is right for me?
We have a tremendous inventory of existing designs and unique items that we have been collecting for many years. After reviewing the website, Contact Us if you are unable to find what you are looking for.
Ancient Sculpture Gallery is proud to present you with lost wax bronze reproductions of statues and busts from the Egyptian, Greek, Hellenistic, Roman, Asian Oriental, and Western civilizations. “Lost Wax” bronze (or hot-cast bronze) is actually 100% pure Bronze – essentially copper and tin. The making of a “lost wax” bronze is a complex and time consuming process, and specific technical expertise is needed to accomplish the task of making a bronze. The most known and used process for making “lost wax” involves pouring of molten bronze. This is the same method used by the ancient civilizations to create bronze sculptures. Our lost wax bronze sculptures are produced in this same technique.