The Equestrian Statue of Marcus Aurelius is an ancient Roman statue in the Capitoline Hill, Rome, Italy.It is made of bronze and stands 4.24 m (13.9 ft) tall. Although the emperor is mounted, it exhibits many similarities to standing statues of Augustus.
The Equestrian Statue of Marcus Aurelius is an ancient Roman statue in the Capitoline Hill, Rome, Italy.It is made of bronze and stands 4.24 m (13.9 ft) tall. Although the emperor is mounted, it exhibits many similarities to standing statues of Augustus.
Equestrian Sculpture of Marcus Aurelius, bronze, c. 173-76 C.E., (Capitoline Museums, Rome). The original location of the sculpture is unknown, though it had been housed in the Lateran Palace since the 8th century until it was placed in the center of the Piazza del Campidoglio by Michelangelo in 1538.
Equestrian Statue of Marcus Aurelius The Equestrian Statue of Marcus Aurelius depicts the famous Roman Emperor on horseback. The emperor is over life-size and extends his hand in a gesture used by emperors when addressing their army and legions. It is an image designed to portray the Emperor as victorious and all-conquering.
Equestrian statue of Marcus Aurelius. … just like the monument to Marcus Aurelius. The latter statue, however, is the only one to have survived to the present, and …
The equestrian statue of Marcus Aurelius is an enduring monument, one that links the city’s many phases, ancient and modern. It has borne witness to the city’s imperial glory, post-imperial decline, its Renaissance resurgence, and even its quotidian experience in the twenty-first century.
The equestrian statue of Marcus Aurelius is 4,24 m high and 3,87 m long. The material of use is hollow-cast gilded bronze.[] In the middle of a public square, it stands on a pedestal.
The subject of Jones’s salt print, the equestrian monument of Marcus Aurelius, is the centerpiece of the Piazza del Campidoglio. Jones angled and positioned the camera to silhouette the statue against the open sky.
Digital Imaging Project: Art historical images of architecture and sculpture from Prehistoric to Post-modern art. Scanned from slides taken on site by Mary Ann Sullivan, Bluffton University. Equestrian Statue of Marcus Aurelius in the Capitoline Museum, Rome
The Equestrian Statue of Marcus Aurelius in Rome is the only Roman equestrian statue which has survived into the modern period. This is perhaps due to it being wrongly identified during the Middle Ages as a depiction of the Christian emperor Constantine the Great and hence spared destruction, unlike some other statues associated with paganism .
Material: The material of the statue is then decided by the client. The sculptor may also use a small clay model to better portray his conception of the design. The clay model can be modified to fine tune the client’s wishes.
Mini-Sculpture: Finally, the bronze sculpture artist may finalize the miniature model of the final design in order to give the client a preview into how the final product will look. This model is made using the material decided, and it can be used by the client for marketing purposes so that he can raise funds for the sculpture.
Creating the Backbone: The backbone of the bronze statue, also called the armature consists of a steel frame with foam added to it in order to resemble the rough outline of the final product. This is then sealed with a latex coat to secure it.
The Sculpting: The main work starts only now. Many pounds of hot clay are used and applied by hand to “block in” the design for the first time. The bronze sculpture artist then invests a lot of time adding more clay, removing some clay and molding the clay until the final product finally resembles the required design. Tiny details are added on to give more preciseness to the bronze statue and make it more real.
Remove dust with a damp cloth.
Do not use metal objects or wire brushes to clean the sculpture.
Do not apply abrasives or cleansers that will possibly scratch the finish.
ZUD – Non- Abrasive Cleaner. Use to remove stubborn stains. Zud cleans all metal surfaces including bronze. Zud can be used in powder or liquid form.
Lemon Oil – Apply a small amount of oil with a paintbrush or soft cloth. Cover the entire figure with oil. Wipe the surface gently with a soft cloth to take off the excess oil.
Paste Wax- A very thin, even coat of wax should be applied with a soft cloth. Allow the wax to sit and dry before polishing. Wax should be applied after bronze has been cleaned and dried. Do not apply if using lemon oil.
Do Nothing: Many bronze owners prefer to sit back and enjoy the natural reaction and aging process of their sculpture.
What kind of sculpture is right for me?
We have a tremendous inventory of existing designs and unique items that we have been collecting for many years. After reviewing the website, Contact Us if you are unable to find what you are looking for.
Ancient Sculpture Gallery is proud to present you with lost wax bronze reproductions of statues and busts from the Egyptian, Greek, Hellenistic, Roman, Asian Oriental, and Western civilizations. “Lost Wax” bronze (or hot-cast bronze) is actually 100% pure Bronze – essentially copper and tin. The making of a “lost wax” bronze is a complex and time consuming process, and specific technical expertise is needed to accomplish the task of making a bronze. The most known and used process for making “lost wax” involves pouring of molten bronze. This is the same method used by the ancient civilizations to create bronze sculptures. Our lost wax bronze sculptures are produced in this same technique.