Equestrian statue of Marcus Aurelius, from Rome, Italy 175 CE Bronze In this equestrian portrait of Marcus Aurelius as omnipotent conqueror, the emperor stretches out his arm in a gesture of clemency. An enemy once cowered beneath the horse's raised foreleg.
Equestrian statue of Marcus Aurelius. High Empire. Rome.gilded bronze. overall theme is one of power and divine grandeur the emperor is over life-size and is holding out his hand in a gesture much like that in the Augustus' portraits. signify mercy as some assert that a fallen enemy may have been sculpted begging for mercy under the horse's raised hoof. meant to portray the Emperor as …
Historic Art Gallery Imaginary View of Rome with Equestrian Statue of Marcus Aurelius, The Column of Trajan and a Temple 1786 by Hubert Robert Framed Canvas Print, 12" x 18", Dark Gold
The Equestrian Statue of Marcus Aurelius is an ancient Roman statue in the Capitoline Hill, Rome, Italy.It is made of bronze and stands 4.24 m (13.9 ft) tall. Although the emperor is mounted, it exhibits many similarities to standing statues of Augustus.
Few examples of these equestrian statues survive from antiquity, however, making the Equestrian Statue of Marcus Aurelius a singular artifact of Roman antiquity, one that has borne quiet witness to the ebb and flow of the city of Rome for nearly 1,900 years. A gilded bronze monument of the 170s C.E. that was originally dedicated to the emperor …
Few examples of these equestrian statues survive from antiquity, however, making the Equestrian Statue of Marcus Aurelius a singular artifact of Roman antiquity, one that has borne quiet witness to the ebb and flow of the city of Rome for nearly 1,900 years.
c. 175 AD Bronze 11' 6" tall. Although mounted, the statue of Marcus Aurelius exhibits many similarities to that of Augustus. The overall theme is one of power and divine grandeur—the emperor is over life-size and is holding out his hand in a gesture much like that in the Augu stus portrait.
The ‘whys’ of equestrian statues. Quotes from the book ‘From Marcus Aurelius to Kim Jong-il’ Most often, the reason to erect an equestrian statue is to glorify the sitter, a process not infrequently initiated by the sitter him or herself. Leaders love to be seen on a horse, even today.
A comparison between the sculpture and that of Marcus Aurelius' equestrian statue shows how closely Donatello looked to classical art and its themes. In this depiction of Marcus Aurelius, the emperor dwarfs his horse, dominating it by size. However, the emperor also has a facial expression of dominance and determination.
The Equestrian Statue of Marcus Aurelius is an ancient Roman statue in the Campidoglio, Rome, Italy. It is made of bronze and stands 4.24 m tall. Although the emperor is mounted, it exhibits many similarities to standing statues of Augustus.
Material: The material of the statue is then decided by the client. The sculptor may also use a small clay model to better portray his conception of the design. The clay model can be modified to fine tune the client’s wishes.
Mini-Sculpture: Finally, the bronze sculpture artist may finalize the miniature model of the final design in order to give the client a preview into how the final product will look. This model is made using the material decided, and it can be used by the client for marketing purposes so that he can raise funds for the sculpture.
Creating the Backbone: The backbone of the bronze statue, also called the armature consists of a steel frame with foam added to it in order to resemble the rough outline of the final product. This is then sealed with a latex coat to secure it.
The Sculpting: The main work starts only now. Many pounds of hot clay are used and applied by hand to “block in” the design for the first time. The bronze sculpture artist then invests a lot of time adding more clay, removing some clay and molding the clay until the final product finally resembles the required design. Tiny details are added on to give more preciseness to the bronze statue and make it more real.
Remove dust with a damp cloth.
Do not use metal objects or wire brushes to clean the sculpture.
Do not apply abrasives or cleansers that will possibly scratch the finish.
ZUD – Non- Abrasive Cleaner. Use to remove stubborn stains. Zud cleans all metal surfaces including bronze. Zud can be used in powder or liquid form.
Lemon Oil – Apply a small amount of oil with a paintbrush or soft cloth. Cover the entire figure with oil. Wipe the surface gently with a soft cloth to take off the excess oil.
Paste Wax- A very thin, even coat of wax should be applied with a soft cloth. Allow the wax to sit and dry before polishing. Wax should be applied after bronze has been cleaned and dried. Do not apply if using lemon oil.
Do Nothing: Many bronze owners prefer to sit back and enjoy the natural reaction and aging process of their sculpture.
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Ancient Sculpture Gallery is proud to present you with lost wax bronze reproductions of statues and busts from the Egyptian, Greek, Hellenistic, Roman, Asian Oriental, and Western civilizations. “Lost Wax” bronze (or hot-cast bronze) is actually 100% pure Bronze – essentially copper and tin. The making of a “lost wax” bronze is a complex and time consuming process, and specific technical expertise is needed to accomplish the task of making a bronze. The most known and used process for making “lost wax” involves pouring of molten bronze. This is the same method used by the ancient civilizations to create bronze sculptures. Our lost wax bronze sculptures are produced in this same technique.