equestrian statue of Marcus Aurelius Example of damnatio memoriae in The Arch of Septimius Severus a section in the middle of the text originally references to his son Geta, but was chiseled out upon Geta's damnatio memoriae by his brother Caracalla
Chinese ritual bronze , a Late Shang dǐng Benin bronze of a woman's head Gilt-bronze doors of the Baptistry at Florence ( Lorenzo Ghiberti , 1401-22) 9th-century bronze vessel in form of a snail shell excavated in Igbo-Ukwu,(part of igbo tribe in Nigeria) Bronze is the most popular metal for cast metal sculptures ; a cast bronze sculpture is often called simply a "bronze".
A date in the 2nd or 3rd century AD is considered far more likely; the famous Equestrian Statue of Marcus Aurelius in Rome (c. 175 AD) provides a point of comparison. [1] They were probably created to top a triumphal arch or some other grand building, perhaps commissioned by the Emperor Septimus Severus.
"Equestrian statue of Marcus Aurelius, ca. This bronze cast of Marcus Aurelius was long thought to be Constantine, the first Christian emperor." "Equestrian statue of Marcus Aurelius, 175 A. Stood in the center of the Campodoglio (plaza designed by Michelangelo) until 1981 when it was restored and moved to the museum and replaced with a copy …
Equestrian statue of Marcus Aurelius, 175 A. Stood in the center of the Campodoglio (plaza designed by Michelangelo) until 1981 when it was restored and moved to the museum and replaced with a copy Marcus Aurelius bronz lovasszobra, 170 k.
Famous Design Examples • Mosaic from the House of Neptune & Amphitheatre at Herculaneum (Surface) • Equestrian Statue of Marcus Aurelius (Sculpture) • Temple of the Sibyl in Tivoli (Architecture) • The Colosseum in Rome (Architecture) • Roman coins (Product) Design Innovations Producing monumental structures through engineering.
The comitium was reduced in size twice in consecutive order by Cornelius Sulla and again by Julius Caesar. [31] The focus shifted to the forum where Caesar and Augustus had moved many of the monuments of the comitium. The equestrian statue of Pompey, was displayed on the new rostra moved by Caesar in 44 BC.
The train station in Naples looked much like the others – automatic ticket machines, people peering up at electronic schedule boards, commercial vendors selling snack food, cellphones, magazines and such, the Trenitalia office dealing with disgruntled or confused passengers.
If we followed these kinds of traditions too closely, then the great gilded bronze equestrian statue of Marcus Aurelius from Rome would have a rightful pride of place in this account – for it survives because it was believed to be Constantine throughout most of the Middle Ages.
Oct 19, 2018- Taken at Winchester
Material: The material of the statue is then decided by the client. The sculptor may also use a small clay model to better portray his conception of the design. The clay model can be modified to fine tune the client’s wishes.
Mini-Sculpture: Finally, the bronze sculpture artist may finalize the miniature model of the final design in order to give the client a preview into how the final product will look. This model is made using the material decided, and it can be used by the client for marketing purposes so that he can raise funds for the sculpture.
Creating the Backbone: The backbone of the bronze statue, also called the armature consists of a steel frame with foam added to it in order to resemble the rough outline of the final product. This is then sealed with a latex coat to secure it.
The Sculpting: The main work starts only now. Many pounds of hot clay are used and applied by hand to “block in” the design for the first time. The bronze sculpture artist then invests a lot of time adding more clay, removing some clay and molding the clay until the final product finally resembles the required design. Tiny details are added on to give more preciseness to the bronze statue and make it more real.
Remove dust with a damp cloth.
Do not use metal objects or wire brushes to clean the sculpture.
Do not apply abrasives or cleansers that will possibly scratch the finish.
ZUD – Non- Abrasive Cleaner. Use to remove stubborn stains. Zud cleans all metal surfaces including bronze. Zud can be used in powder or liquid form.
Lemon Oil – Apply a small amount of oil with a paintbrush or soft cloth. Cover the entire figure with oil. Wipe the surface gently with a soft cloth to take off the excess oil.
Paste Wax- A very thin, even coat of wax should be applied with a soft cloth. Allow the wax to sit and dry before polishing. Wax should be applied after bronze has been cleaned and dried. Do not apply if using lemon oil.
Do Nothing: Many bronze owners prefer to sit back and enjoy the natural reaction and aging process of their sculpture.
What kind of sculpture is right for me?
We have a tremendous inventory of existing designs and unique items that we have been collecting for many years. After reviewing the website, Contact Us if you are unable to find what you are looking for.
Ancient Sculpture Gallery is proud to present you with lost wax bronze reproductions of statues and busts from the Egyptian, Greek, Hellenistic, Roman, Asian Oriental, and Western civilizations. “Lost Wax” bronze (or hot-cast bronze) is actually 100% pure Bronze – essentially copper and tin. The making of a “lost wax” bronze is a complex and time consuming process, and specific technical expertise is needed to accomplish the task of making a bronze. The most known and used process for making “lost wax” involves pouring of molten bronze. This is the same method used by the ancient civilizations to create bronze sculptures. Our lost wax bronze sculptures are produced in this same technique.