H / About Da Vinci Science Center / Leonardo and The Horse / The Full Story of Leonardo’s Horse The Full Story of Leonardo’s Horse Every corner of western civilization has been touched by Leonardo da Vinci’s genius and creativity – a creativity that responded to a virtually limitless range of scientific and artistic challenges.
Leonardo's Horse (also known as Gran Cavallo) is a sculpture that was commissioned of Leonardo da Vinci in 1482 by Duke of Milan Ludovico il Moro, but not completed.It was intended to be the largest equestrian statue in the world, a monument to the duke's father Francesco.
Gallery; Portfolio. Stainless Steel; Western; … Casting the Leonardo da Vinci “Horse and Rider” bronze art. Read more. … AFA Foundry Inc. by Smart Works Intl.
Bronze horse is unveiled at Tallix Foundry in Beacon, NY, in full 24-foot height envisioned by Leonardo da Vinci when he conceived the statue; will be sent to Milan and erected there on Sept 10 …
Leonardo da Vinci’s Horse. In 1996 the board of directors of the world famous Tallix Art Foundry in Beacon, New York approached James Cox and invited him to join them in an effort to develop new projects and open different avenues for the skills and resources at Tallix.
Study of Horse and Rider, Leonardo da Vinci, … Bronze horse sculptures at the Nelson-Atkins Museum of Art … Bronze Horse and Rider sculpture at the Nelson-Atkins …
Realizing Da Vinci’s Il Cavallo Leonardo da Vinci bronze horse casting In the late 15th century, upon the commission of Ludovico Sforza, the Duke of Milan, Leonardo Da Vinci spent 17 years devising a plan to cast a 24-ft. tall bronze horse—the largest equestrian statue in the world—in a single pour.
The young Renaissance master, Leonardo da Vinci, accepted the assignment from his patron and prepared for the task by studying equine anatomy, drawing sketches and finally sculpting a working clay model of the horse. Then came war. In 1499, France invaded Italy and took control of the city of Milan, imprisoning the Duke.
Leonardo da Vinci conceived and designed the world's largest bronze horse. Five centuries later, an American art lover revived the dream and brought it to fruition. Written by Tim Lewthwaite for EQUUS magazine.
For the next 17 years, Mr. Dent dedicated his life to building the horse, traversing the globe talking to Leonardo da Vinci scholars, culling old sketches of the horse, and setting up a nonprofit …
Material: The material of the statue is then decided by the client. The sculptor may also use a small clay model to better portray his conception of the design. The clay model can be modified to fine tune the client’s wishes.
Mini-Sculpture: Finally, the bronze sculpture artist may finalize the miniature model of the final design in order to give the client a preview into how the final product will look. This model is made using the material decided, and it can be used by the client for marketing purposes so that he can raise funds for the sculpture.
Creating the Backbone: The backbone of the bronze statue, also called the armature consists of a steel frame with foam added to it in order to resemble the rough outline of the final product. This is then sealed with a latex coat to secure it.
The Sculpting: The main work starts only now. Many pounds of hot clay are used and applied by hand to “block in” the design for the first time. The bronze sculpture artist then invests a lot of time adding more clay, removing some clay and molding the clay until the final product finally resembles the required design. Tiny details are added on to give more preciseness to the bronze statue and make it more real.
Remove dust with a damp cloth.
Do not use metal objects or wire brushes to clean the sculpture.
Do not apply abrasives or cleansers that will possibly scratch the finish.
ZUD – Non- Abrasive Cleaner. Use to remove stubborn stains. Zud cleans all metal surfaces including bronze. Zud can be used in powder or liquid form.
Lemon Oil – Apply a small amount of oil with a paintbrush or soft cloth. Cover the entire figure with oil. Wipe the surface gently with a soft cloth to take off the excess oil.
Paste Wax- A very thin, even coat of wax should be applied with a soft cloth. Allow the wax to sit and dry before polishing. Wax should be applied after bronze has been cleaned and dried. Do not apply if using lemon oil.
Do Nothing: Many bronze owners prefer to sit back and enjoy the natural reaction and aging process of their sculpture.
What kind of sculpture is right for me?
We have a tremendous inventory of existing designs and unique items that we have been collecting for many years. After reviewing the website, Contact Us if you are unable to find what you are looking for.
Ancient Sculpture Gallery is proud to present you with lost wax bronze reproductions of statues and busts from the Egyptian, Greek, Hellenistic, Roman, Asian Oriental, and Western civilizations. “Lost Wax” bronze (or hot-cast bronze) is actually 100% pure Bronze – essentially copper and tin. The making of a “lost wax” bronze is a complex and time consuming process, and specific technical expertise is needed to accomplish the task of making a bronze. The most known and used process for making “lost wax” involves pouring of molten bronze. This is the same method used by the ancient civilizations to create bronze sculptures. Our lost wax bronze sculptures are produced in this same technique.