If a statue depicting a person on a horse with both front legs in the air, the person died in a battle. If the horse has one front leg in the air the person
A significant number of horse statues in Washington, D.C. and in London, England, do not follow these alleged protocols regarding leg location on a horse statue. The U.S. and the U.K. are the two countries in which the contentions about horse leg statue positions are most prevalent.
In Tacca's sculpture, atop a fountain composition that forms the centerpiece of the façade of the Royal Palace, the horse rears, and the entire weight of the sculpture balances on the two rear legs, and discreetly, its tail, a novel feat for a statue of this size.
Upon examination, local lore appears to have something going for it. Ah, but appearances are deceiving. The equestrian statues of Lee, facing south, and Jackson, facing north, do fit the formula, and the horse of Stuart, who was mortally wounded at Yellow Tavern in 1864, faces north. The heads of Stuart, Davis, and Matthew Fontaine Maury face east.
Next I scoured texts on sculpture … we find photos of six freestanding horse statues … has one foreleg and one hind leg raised, not both forelegs. Does this mean …
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The Horse Statue Code There is a commonly held belief that equestrian statues follow a sort of code, which essentially dictates how the rider died. While it seems like it could make sense, all it takes is stopping to consider just how many equestrian statues exist in this world of ours.
On a statue of a horse and rider, the number of legs in the air reveals information about how the rider died: both legs in the air means they died during a battle, one leg in the air means they died later of wounds inflicted during a battle. All legs on the ground and they died unconnected to any battles they might have been in.
The Way a Soldier’s Horse is Portrayed in an Equestrian Statue Has … statue horse legs myth doesn’t … a male horse. The sculpture believed …
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Material: The material of the statue is then decided by the client. The sculptor may also use a small clay model to better portray his conception of the design. The clay model can be modified to fine tune the client’s wishes.
Mini-Sculpture: Finally, the bronze sculpture artist may finalize the miniature model of the final design in order to give the client a preview into how the final product will look. This model is made using the material decided, and it can be used by the client for marketing purposes so that he can raise funds for the sculpture.
Creating the Backbone: The backbone of the bronze statue, also called the armature consists of a steel frame with foam added to it in order to resemble the rough outline of the final product. This is then sealed with a latex coat to secure it.
The Sculpting: The main work starts only now. Many pounds of hot clay are used and applied by hand to “block in” the design for the first time. The bronze sculpture artist then invests a lot of time adding more clay, removing some clay and molding the clay until the final product finally resembles the required design. Tiny details are added on to give more preciseness to the bronze statue and make it more real.
Remove dust with a damp cloth.
Do not use metal objects or wire brushes to clean the sculpture.
Do not apply abrasives or cleansers that will possibly scratch the finish.
ZUD – Non- Abrasive Cleaner. Use to remove stubborn stains. Zud cleans all metal surfaces including bronze. Zud can be used in powder or liquid form.
Lemon Oil – Apply a small amount of oil with a paintbrush or soft cloth. Cover the entire figure with oil. Wipe the surface gently with a soft cloth to take off the excess oil.
Paste Wax- A very thin, even coat of wax should be applied with a soft cloth. Allow the wax to sit and dry before polishing. Wax should be applied after bronze has been cleaned and dried. Do not apply if using lemon oil.
Do Nothing: Many bronze owners prefer to sit back and enjoy the natural reaction and aging process of their sculpture.
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Ancient Sculpture Gallery is proud to present you with lost wax bronze reproductions of statues and busts from the Egyptian, Greek, Hellenistic, Roman, Asian Oriental, and Western civilizations. “Lost Wax” bronze (or hot-cast bronze) is actually 100% pure Bronze – essentially copper and tin. The making of a “lost wax” bronze is a complex and time consuming process, and specific technical expertise is needed to accomplish the task of making a bronze. The most known and used process for making “lost wax” involves pouring of molten bronze. This is the same method used by the ancient civilizations to create bronze sculptures. Our lost wax bronze sculptures are produced in this same technique.