Horse and Rider (1969) was the first of Elisabeth Frink's sculptures on this theme. She began to explore the subject in France in 1969 where her husband owned a vineyard. The work reflects the sense of well being that she experienced when in the country and in particular when she was with hors
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Secretariat grew into a massive, powerful horse said to resemble his sire's maternal grandsire, Discovery.He stood 16.2 hands (66 inches, 168 cm) when fully grown. He was noted for being exceptionally well-balanced, a big, powerful horse described as having "nearly perfect" conformation and stride biomechanics.
There are more than 400 public artworks in the City of Westminster, a borough in central London.Those discussed in this article include freestanding statues, busts and other kinds of permanent sculpture, memorials (excluding plaques without a sculptural element on buildings), fountains, murals, gates and exterior mosaics in the City of …
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Duchamp-Villon was an expert horseman, serving as an auxiliary doctor in a cavalry regiment during the war. This sculpture developed from his studies of a leaping horse and rider to become an abstract evocation of dynamic energy and power.
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Calder with Romulus and Remus, Twelfth Annual Exhibition of The Society of Independent Artists, Waldorf-Astoria, New York, 1928
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Material: The material of the statue is then decided by the client. The sculptor may also use a small clay model to better portray his conception of the design. The clay model can be modified to fine tune the client’s wishes.
Mini-Sculpture: Finally, the bronze sculpture artist may finalize the miniature model of the final design in order to give the client a preview into how the final product will look. This model is made using the material decided, and it can be used by the client for marketing purposes so that he can raise funds for the sculpture.
Creating the Backbone: The backbone of the bronze statue, also called the armature consists of a steel frame with foam added to it in order to resemble the rough outline of the final product. This is then sealed with a latex coat to secure it.
The Sculpting: The main work starts only now. Many pounds of hot clay are used and applied by hand to “block in” the design for the first time. The bronze sculpture artist then invests a lot of time adding more clay, removing some clay and molding the clay until the final product finally resembles the required design. Tiny details are added on to give more preciseness to the bronze statue and make it more real.
Remove dust with a damp cloth.
Do not use metal objects or wire brushes to clean the sculpture.
Do not apply abrasives or cleansers that will possibly scratch the finish.
ZUD – Non- Abrasive Cleaner. Use to remove stubborn stains. Zud cleans all metal surfaces including bronze. Zud can be used in powder or liquid form.
Lemon Oil – Apply a small amount of oil with a paintbrush or soft cloth. Cover the entire figure with oil. Wipe the surface gently with a soft cloth to take off the excess oil.
Paste Wax- A very thin, even coat of wax should be applied with a soft cloth. Allow the wax to sit and dry before polishing. Wax should be applied after bronze has been cleaned and dried. Do not apply if using lemon oil.
Do Nothing: Many bronze owners prefer to sit back and enjoy the natural reaction and aging process of their sculpture.
What kind of sculpture is right for me?
We have a tremendous inventory of existing designs and unique items that we have been collecting for many years. After reviewing the website, Contact Us if you are unable to find what you are looking for.
Ancient Sculpture Gallery is proud to present you with lost wax bronze reproductions of statues and busts from the Egyptian, Greek, Hellenistic, Roman, Asian Oriental, and Western civilizations. “Lost Wax” bronze (or hot-cast bronze) is actually 100% pure Bronze – essentially copper and tin. The making of a “lost wax” bronze is a complex and time consuming process, and specific technical expertise is needed to accomplish the task of making a bronze. The most known and used process for making “lost wax” involves pouring of molten bronze. This is the same method used by the ancient civilizations to create bronze sculptures. Our lost wax bronze sculptures are produced in this same technique.