The equestrian statue of Marcus Aurelius is 4,24 m high and 3,87 m long. The material of use is hollow-cast gilded bronze.[] In the middle of a public square, it stands on a pedestal.
The Equestrian Statue of Marcus Aurelius is a gilded bronze portrait of the Roman emperor on horseback. It was likely created in the 170s CE, around the time Marcus Aurelius defeated several …
The Equestrian Statue of Marcus Aurelius. by Alessandra Melucco Vaccaro The article, “The Equestrian Statue of Marcus Aurelius” by Alessandra Melucco Vaccaro, outlines the only equestrian bronze monument from the classical period that is still intact and how it came to be that way.
The Equestrian Statue of Marcus Aurelius is an ancient Roman statue in the Campidoglio, Rome, Italy.It is made of bronze and stands 4.24 m tall. Although the emperor is mounted, it exhibits many similarities to standing statues of Augustus.
Horse and rider (detail), Equestrian Sculpture of Marcus Aurelius, c. 173-76 C.E., bronze (Capitoline Museums, Rome) The horseman sits astride the steed, with his left hand guiding the reins and his right arm raised to shoulder level, the hand outstretched.
Equestrian statue of Marcus Aurelius How does Donatello represent David in his bronze statue? As an ideal adolescent boy, in the nude, standing on the head of the giant Goliath
Almost the only sole surviving Roman equestrian bronze, the equestrian Statue of Marcus Aurelius in Rome, owes its preservation on the Campidoglio, to the popular mis-identification of Marcus Aurelius, the philosopher-emperor, with Constantine the Great, the Christian emperor.
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One only has to look at the ancient bronzes, for example, the Marcus Aurelius equestrian statue in Rome. . . . Under the belly of the horse, the rain has left marks which emphasize the section where it has run down over the centuries. This statue is nearly two thousand years old, yet the bronze is in perfect condition.
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Material: The material of the statue is then decided by the client. The sculptor may also use a small clay model to better portray his conception of the design. The clay model can be modified to fine tune the client’s wishes.
Mini-Sculpture: Finally, the bronze sculpture artist may finalize the miniature model of the final design in order to give the client a preview into how the final product will look. This model is made using the material decided, and it can be used by the client for marketing purposes so that he can raise funds for the sculpture.
Creating the Backbone: The backbone of the bronze statue, also called the armature consists of a steel frame with foam added to it in order to resemble the rough outline of the final product. This is then sealed with a latex coat to secure it.
The Sculpting: The main work starts only now. Many pounds of hot clay are used and applied by hand to “block in” the design for the first time. The bronze sculpture artist then invests a lot of time adding more clay, removing some clay and molding the clay until the final product finally resembles the required design. Tiny details are added on to give more preciseness to the bronze statue and make it more real.
Remove dust with a damp cloth.
Do not use metal objects or wire brushes to clean the sculpture.
Do not apply abrasives or cleansers that will possibly scratch the finish.
ZUD – Non- Abrasive Cleaner. Use to remove stubborn stains. Zud cleans all metal surfaces including bronze. Zud can be used in powder or liquid form.
Lemon Oil – Apply a small amount of oil with a paintbrush or soft cloth. Cover the entire figure with oil. Wipe the surface gently with a soft cloth to take off the excess oil.
Paste Wax- A very thin, even coat of wax should be applied with a soft cloth. Allow the wax to sit and dry before polishing. Wax should be applied after bronze has been cleaned and dried. Do not apply if using lemon oil.
Do Nothing: Many bronze owners prefer to sit back and enjoy the natural reaction and aging process of their sculpture.
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Ancient Sculpture Gallery is proud to present you with lost wax bronze reproductions of statues and busts from the Egyptian, Greek, Hellenistic, Roman, Asian Oriental, and Western civilizations. “Lost Wax” bronze (or hot-cast bronze) is actually 100% pure Bronze – essentially copper and tin. The making of a “lost wax” bronze is a complex and time consuming process, and specific technical expertise is needed to accomplish the task of making a bronze. The most known and used process for making “lost wax” involves pouring of molten bronze. This is the same method used by the ancient civilizations to create bronze sculptures. Our lost wax bronze sculptures are produced in this same technique.