Equestrian Sculpture of Marcus Aurelius. Equestrian Sculpture of Marcus Aurelius, bronze, c. 173-76 C.E., (Capitoline Museums, Rome) The original location of the sculpture is unknown, though it had been housed in the Lateran Palace since the 8th century until it was placed in the center of the Piazza del Campidoglio by Michelangelo in 1538.
Marcus Aurelius – Bronze Equestrian Statue – Bronze Equestrian Statue of Marcus Aurelius placed in the Campidoglio by Michelangelo in the 16th century AD. Antoninus Pius – He died in 161 A.D., and was succeeded by Marcus Aurelius. His memory was so greatly venerated that five of his successors a ssumed the name of Antoninus.
Analysis of Equestrian Statue of Marcus Aurelius Essay Sample. Strongly built small horse. Wide and large intelligent eyes. Frozen in a Piaffe which requires extreme discipline on both the rider and horses part.
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Marcus Aurelius Statue on the Campidoglio: Marcus Aurelius is best known for his Meditations, which he jotted down in Greek wherever he might be during the last ten years of his life. The Stoic school of philosophy primarily influenced him and thus his Meditations are full of a preoccupation with the meaning of world-order…
The importance of Marcus Aurelious Equestrian Statue? Built in year 175, first and foremost but mainly bronze sculptures rarely survived the Middle Ages. It was the common practice to melt down bronze statues for reuse as material for coins or new…
Equestrian Statue of Marcus Aurelius. c. 175 AD Bronze 11' 6" tall Although mounted, the statue of Marcus Aurelius exhibits many similarities to that of Augustus. The overall theme is one of power and divine grandeur—the emperor is over life-size and is holding out his hand in a gesture much like that in the Augu stus portrait.
A reduced in size bronze Marcus Aurelius bust after one of the most famous Roman emperors (161 to 180 AD), who ruled with his adoptive brother, Lucius Verus, until Verus' death in 169, and with his son, Commodus, from 177.
Equestrian Statue of Marcus Aurelius in the Capitoline Museum, Rome. 176-180 CE; or 161-180 CE. gilded bronze, about 11' 6". Go to the Index of works in the Capitoline Museum in Rome. Click here to return to index of art historical sites. Click here to return to index of artists and architects. Click here to return to chronological index.
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Material: The material of the statue is then decided by the client. The sculptor may also use a small clay model to better portray his conception of the design. The clay model can be modified to fine tune the client’s wishes.
Mini-Sculpture: Finally, the bronze sculpture artist may finalize the miniature model of the final design in order to give the client a preview into how the final product will look. This model is made using the material decided, and it can be used by the client for marketing purposes so that he can raise funds for the sculpture.
Creating the Backbone: The backbone of the bronze statue, also called the armature consists of a steel frame with foam added to it in order to resemble the rough outline of the final product. This is then sealed with a latex coat to secure it.
The Sculpting: The main work starts only now. Many pounds of hot clay are used and applied by hand to “block in” the design for the first time. The bronze sculpture artist then invests a lot of time adding more clay, removing some clay and molding the clay until the final product finally resembles the required design. Tiny details are added on to give more preciseness to the bronze statue and make it more real.
Remove dust with a damp cloth.
Do not use metal objects or wire brushes to clean the sculpture.
Do not apply abrasives or cleansers that will possibly scratch the finish.
ZUD – Non- Abrasive Cleaner. Use to remove stubborn stains. Zud cleans all metal surfaces including bronze. Zud can be used in powder or liquid form.
Lemon Oil – Apply a small amount of oil with a paintbrush or soft cloth. Cover the entire figure with oil. Wipe the surface gently with a soft cloth to take off the excess oil.
Paste Wax- A very thin, even coat of wax should be applied with a soft cloth. Allow the wax to sit and dry before polishing. Wax should be applied after bronze has been cleaned and dried. Do not apply if using lemon oil.
Do Nothing: Many bronze owners prefer to sit back and enjoy the natural reaction and aging process of their sculpture.
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We have a tremendous inventory of existing designs and unique items that we have been collecting for many years. After reviewing the website, Contact Us if you are unable to find what you are looking for.
Ancient Sculpture Gallery is proud to present you with lost wax bronze reproductions of statues and busts from the Egyptian, Greek, Hellenistic, Roman, Asian Oriental, and Western civilizations. “Lost Wax” bronze (or hot-cast bronze) is actually 100% pure Bronze – essentially copper and tin. The making of a “lost wax” bronze is a complex and time consuming process, and specific technical expertise is needed to accomplish the task of making a bronze. The most known and used process for making “lost wax” involves pouring of molten bronze. This is the same method used by the ancient civilizations to create bronze sculptures. Our lost wax bronze sculptures are produced in this same technique.