A horse statue with legs raised in the air is said to signify that the rider was killed in battle. Although this is a common belief among some equestrians and artisans alike, this designation is not universally applied.
Of 18 surveyed statues of famous people: 8 are "correct", 8 are "wrong", 2 are "not enough info about the person's death". Augustus Saint-Gaudens, one of the most famous sculptors of his day, had 1 equestrian statue match the "code" and another one that did not .
Equestrian Statue. Neoclassical sculpture features several fine horse-and-rider monuments including: the Equestrian Statue of Joseph II (1795-1806), by Franz von Zauner (1746-1822), in the Josefplatz, Vienna; the Monument to Prince Jozef Poniatowski (1826-7) by Bertel Thorvaldsen (1770–1844),…
An equestrian statue is a sculpture of a horse mounted by a rider. Such statues were often monumental works carved out of stone, or casted in metal. Apart from being works of art, such statues may also be regarded as propaganda tools of the ruling regime, as they often depicted rulers
An equestrian statue is a statue of a rider mounted on a horse, from the Latin "eques", meaning "knight", deriving from "equus", meaning "horse". [1] A statue of a …
An equestrian statue is a statue of a rider mounted on a horse, from the Latin "eques", meaning "knight", deriving from "equus", meaning "horse". A statue of a …
This is a list of equestrian statues by country. Albania Tirana Equestrian of Skanderbeg at the Skanderbeg Square. Krujë Equestrian of Skanderbeg. Skanderbeg in Tirana Skanderbeg in Krujë Argentina Buenos Aires Monumento a Giuseppe Garibaldi at the Plaza Italia. Equestrian statue of El Cid by Anna Hyatt Huntington, 1935.
The equestrian statues of Rome Rome is a city full of monuments and statues that populate full of squares and streets dedicated to the many protagonists of history that have helped make it one of the most beautiful cities in the world.
In conclusion, nine of the 15 equestrian statues match the code, showing that it is not a reliable system for reading the fate of any particular rider.
The statue is a replica of the one in Buenos Aires by Louis-Joseph Daumas, 1862. Equestrian of King Carlos III at the Puerta del Sol. Made by Miguel Ángel Rodríguez and Eduardo Zancada in 1994. The statue is a replica of a smaller one sculpted by Juan Pascual de Mena in the 18th century.
Material: The material of the statue is then decided by the client. The sculptor may also use a small clay model to better portray his conception of the design. The clay model can be modified to fine tune the client’s wishes.
Mini-Sculpture: Finally, the bronze sculpture artist may finalize the miniature model of the final design in order to give the client a preview into how the final product will look. This model is made using the material decided, and it can be used by the client for marketing purposes so that he can raise funds for the sculpture.
Creating the Backbone: The backbone of the bronze statue, also called the armature consists of a steel frame with foam added to it in order to resemble the rough outline of the final product. This is then sealed with a latex coat to secure it.
The Sculpting: The main work starts only now. Many pounds of hot clay are used and applied by hand to “block in” the design for the first time. The bronze sculpture artist then invests a lot of time adding more clay, removing some clay and molding the clay until the final product finally resembles the required design. Tiny details are added on to give more preciseness to the bronze statue and make it more real.
Remove dust with a damp cloth.
Do not use metal objects or wire brushes to clean the sculpture.
Do not apply abrasives or cleansers that will possibly scratch the finish.
ZUD – Non- Abrasive Cleaner. Use to remove stubborn stains. Zud cleans all metal surfaces including bronze. Zud can be used in powder or liquid form.
Lemon Oil – Apply a small amount of oil with a paintbrush or soft cloth. Cover the entire figure with oil. Wipe the surface gently with a soft cloth to take off the excess oil.
Paste Wax- A very thin, even coat of wax should be applied with a soft cloth. Allow the wax to sit and dry before polishing. Wax should be applied after bronze has been cleaned and dried. Do not apply if using lemon oil.
Do Nothing: Many bronze owners prefer to sit back and enjoy the natural reaction and aging process of their sculpture.
What kind of sculpture is right for me?
We have a tremendous inventory of existing designs and unique items that we have been collecting for many years. After reviewing the website, Contact Us if you are unable to find what you are looking for.
Ancient Sculpture Gallery is proud to present you with lost wax bronze reproductions of statues and busts from the Egyptian, Greek, Hellenistic, Roman, Asian Oriental, and Western civilizations. “Lost Wax” bronze (or hot-cast bronze) is actually 100% pure Bronze – essentially copper and tin. The making of a “lost wax” bronze is a complex and time consuming process, and specific technical expertise is needed to accomplish the task of making a bronze. The most known and used process for making “lost wax” involves pouring of molten bronze. This is the same method used by the ancient civilizations to create bronze sculptures. Our lost wax bronze sculptures are produced in this same technique.